@ChristianBmusic who wants this on my next EP/Abum??
5:00 PM Feb 6th
DEC 21 2015
GRAMMY® Nominee Cam Tops off the Year with a #1 Song and 2015's Best First-Week Album Sales by a Debut Country Artist!
#1 Song and 2015’s Best First-Week Album Sales by a
Debut Country Artist!
Platinum-Certified “Burning House” Hits #1 at Country Radio as Cam’s Untamed Album Debuts at #2 on Billboard’s Top Country Albums Chart!
Cam’s Music Cited among the Best of 2015 by The Washington Post, AP, Entertainment Weekly, Rolling Stone Country, and more!
Nashville, TN – GRAMMY®-nominated Arista Nashville/RCA Records singer/songwriter Cam vaults to #1 at country radio this week with her smash single, “Burning House,” as her major-label debut album, Untamed, explodes onto Billboard’s Top Country Albums sales chart at #2. Cam achieves 2015’s best first-week album sales by a debut country artist, with sales of 37,000, according to Nielsen Music.
Untamed also debuts at #12 on the all-genre Billboard 200 chart, with 45,000 units in album activity based on the chart’s multi-metric sales and streaming methodology.
Cited among the year’s best country albums by Rolling Stone Country, The Washington Post, Brooklyn Magazine, and Renowned for Sound, Untamed has earned critical acclaim from Entertainment Weekly, the Associated Press, and many more.
Untamed “mingles roots and radio appeal,” hails The New York Times, while AllMusic lauds Untamed as “prime commercial country: it’s crisp, open-hearted, and friendly, fresh in its presentation and classical in its construction.”
Roughstock writes, “The album is an eleven track cornucopia of confident rhythms, rhymes and reason and instantly announces a major force in country music is about to blossom before our eyes.”
In an “A” grade review, Nash Country Weekly cheers, “With a catalog of beautifully written tracks and a voice that is simultaneously ethereal and gritty, Cam effortlessly moves from a whisper to a roar. And we dig it. A lot.”
The Daily Tribune (Michigan) calls Untamed “both slick and earthy, maybe the smoothest synthesis of country and pop since Taylor Swift,” predicting that Cam’s “Next Big Thing potential couldn’t be more clear.”
Featured on Untamed and ranked #1 on Rolling Stone Country’s “25 Best Country Songs of 2015,” Cam’s “Burning House” has been cited among the year’s best songs on multiple lists, including Entertainment Weekly’s all-genre “40 Best Songs of 2015,” Taste of Country’s “Top 10 Songs of 2015,” and Billboard.com’s “10 Best Country Songs of 2015,” which summed up Cam’s breakthrough smash with the declaration, “a star is born.”
Of the 10 songs chosen by the Associated Press for its “Top Songs of 2015,” “Burning House” is the only country single to make the all-genre list, with AP praising it as “country radio’s most refreshing song.”
With the recent RIAA Platinum certification of “Burning House,” Cam is the only female country artist this year to achieve a Platinum single from a major-label debut album released in 2015.
Fans can be watching for Cam on Christmas night as FOX re-airs American Country Countdown’s Top 10 Stories of 2015, December 25, at 9 PM/ET.
With each song co-written by Cam, Untamed was produced by GRAMMY®-winner and current Producer of the Year, Non-Classical GRAMMY nominee Jeff Bhasker (Bruno Mars, Beyoncé, FUN., The Rolling Stones, Taylor Swift) and two-time Album of the Year GRAMMY nominee Tyler Johnson (Ed Sheeran, OneRepublic, Taylor Swift, Miley Cyrus, Mikky Ekko).
Untamed is available for sale at http://smarturl.it/CamUntamed.
Follow Cam on Twitter @camcountry and on Instagram at https://instagram.com/camcountry/.
DEC 11 2015
Click the title for more information!
NOV 30 2015
SIA RELEASES NEW TRACK "ONE MILLION BULLETS" FROM FORTHCOMING ALBUM "THIS IS ACTING" SET FOR RELEASE
SIA TO PERFORM “ALIVE” ON THE VOICE AND
THE ELLEN DEGENERES SHOW TOMORROW, DECEMBER 1ST
CLICK HERE TO WATCH THE VIDEO FOR “ALIVE”
FANS WHO PRE-ORDER THIS IS ACTING RECEIVE “ALIVE,” “BIRD SET FREE” AND “ONE MILLION BULLETS” INSTANTLY
CLICK HERE TO LISTEN TO “ONE MILLION BULLETS”
Fans who pre-order THIS IS ACTING will receive current single “Alive,” “Bird Set Free,” and new track “One Million Bullets” instantly. Click here to watch the video for “Alive.” Click here to listen to “Bird Set Free” and click here to listen to “One Million Bullets. “
Sia will be performing her current single “Alive” on “The Voice” and “The Ellen DeGeneres Show” tomorrow, December 1st.
The video for “Alive” has enjoyed over 12 million views and stars 9 year old Japanese child actress/dancer Mahiro Takano. The video was directed by Sia and Daniel Askill, the same creative team behind the videos for “Chandelier,” “Elastic Heart” and “Big Girls Cry.” “Chandelier” crossed the 1 billion views mark last week.
In addition to Jesse Shatkin who produced “Alive,” Sia also worked with longtime collaborator/producer Greg Kurstin on THIS IS ACTING. “Alive,” the album’s first single was written by Sia, Adele and Tobias Jesso, Jr. and was produced by Jesse Shatkin, who also co-wrote and co-produced Sia’s massive four-time Grammy nominated “Chandelier.”
Sia released her #1 charting, critically-acclaimed, and gold-certified album 1000 FORMS OF FEAR (Monkey Puzzle Records/RCA Records) last year in July, which features her massive breakthrough singles “Chandelier” and “Elastic Heart.” The groundbreaking video for “Chandelier” has enjoyed an unprecedented 1 billion views and its follow-up video “Elastic Heart” with over 460 million views.
An astonishingly creative and uncompromising performer, Sia is also a highly prolific hit maker and songwriter, having penned several hit singles over the last few years for others. She has crafted songs for pop icons including Rihanna (“Diamonds”), Katy Perry (“Double Rainbow”), Britney Spears (“Perfume”), Kelly Clarkson (“Invincible”), Carly Rae Jepsen ("Making the Most of the Night"), Beyoncé (“Pretty Hurts”) and Celine Dion (“Love Me Back To Life”), and many more. Sia has also been the featured vocalist on some of the most massive hits she has written for others including “Titanium” with David Guetta, “Beautiful Pain” with Eminem, and “Wild Ones” with Flo Rida. Additionally, Sia was nominated for a Golden Globe for the song “Opportunity” from the 2014 adaptation of the Broadway musical “Annie.”
Link to video for “Alive”
Link to listen to instant grat track “Bird Set Free”
Link to listen to instant grat track “One Million Bullets”
Album cover art and more available at www.rcarecordspress.com
Buy/Stream “One Million Bullets”
Apple Music iTunes Spotify Amazon Music Google Play Vevo
NOV 23 2015
19 November 2015
Tonight, Let me begin with a preface to a letter I wrote a few weeks ago from my hotel room in Berlin while on our final tour for this album. I felt the need to write this foreword in light of the heartbreaking tragedies of Nov. 13th, as this project has now taken on an entirely different tone. As has everything, it seems...
The Saint Cecilia EP was put into motion back in October of this year as a celebration of life and music. The concept being that, as our world tour drew to a close this week, we wanted to share our love of both with you in return for everything you have given us.
Now, there is a new, hopeful intention that, even in the smallest way, perhaps these songs can bring a little light into this sometimes dark world. To remind us that music is life, and that hope and healing go hand in hand with song. That much can never be taken away.
To all who were affected by the atrocities in Paris, loved ones and friends, our hearts go out to you and your families. We will return and celebrate life and love with you once again someday with our music. As it should be done.
8 November 2015
It was in Austin, Texas March 14th, 2013, at the last show of the “Sound City Players” when I was given a small, but very relevant and perhaps prophetic gift from my Sound City movie producers Jim Rota and John Ramsay. An empty journal, with a note that said something along the lines of, “Congratulations on everything Sound City.....now get to work on the next project!” It was the most beautiful way to end something that I wanted so badly to last forever: with a new beginning.
The basic concept of the Sonic Highways album and series was born right then and there, in a small backstage room surrounded by mountains of Lone Star beer and Stubbs BBQ. 8 songs, 8 cities, 8 studios, and a musical road trip of a lifetime. Removing the Foo Fighters from our comfort zone and challenging the process from top to bottom, it breathed new life into the band, and set us on a journey that unquestionably exceeded any of our simple expectations. And now it has led us here. To another beautiful ending.
So, where do I begin?
We owe it all to Mexico City.
Unbeknownst to them, the people who attended those two concerts back in December, 2013 at Foro Sol stadium helped fund the filming and recording of the bulk of the Sonic Highways project. They were the fuse that lit this little firecracker, baby. Without those gigs, many may have never heard the incredible and truly inspiring life stories of Buddy Guy, Steve Albini, Ian Mackaye, Tony Joe White, Zac Brown, Dolly Parton, Roky Erickson, Gary Clark Jr, Bruce Pavitt, Fred Drake, Terry Lickona, Joan Jett, Steve Rosenthal, Nora Guthrie......a list too long to share here. But, beyond giving our band the equivalent of a rock and roll university year abroad, they gave the entire world the most priceless gift: Inspiration. So....Gracias a todos, Mexico....we couldn’t have done it without you.
Before long, our rag tag crew of ne’er-do-wells was stumbling from city to city, coast to coast, taking in every drop (!) of 100 proof American culture we could squeeze. Dancing in a New Orleans second line parade, laying under the desert stars in Joshua Tree, walking the streets of Chicago in -30 degree weather...it was an American dream come true. Our only responsibility was to share it with you, and the brave people of HBO trusted us with that much. (very freely, I might add.) Blind faith? Perhaps. But, without Nina Rosenstein, we would not be the people who we are today. Looking back, she gave us something immeasurably generous: some of the greatest memories of our lives. These people and places that we experienced have filled our hearts...and ultimately our songs. So, thank you, Nina. We are yours. But, focused on the moment, we never in our wildest dreams could have imagined the whirlwind 23 months that lay ahead of us. We just put one foot in front of the other, and kept moving....
I must admit, I never looked at our schedule. I was too scared. I knew that this was it. This was the big one. There was talk of stadiums, and anniversaries, and TV shows. South Africa, Korea, Colombia. Letterman and Glastonbury. It all seemed too good to be true! But, as always, we kept our heads down and tried to appreciate every single moment as it fled. Because, you realize, none of this was ever supposed to happen. Ever. As we approached our twentieth anniversary, it was hard not to look back on all of those years and smile while shaking our heads in wonder and disbelief. From the Mike Watt van tour of 1995, to RFK stadium in Washington DC (my hometown gig) July 4th, 2015...those dots don’t necessarily connect in real life, you know? It still boggles the mind. But, the spoils of these blessings are not lost upon us. We count every last one.
Even the disasters.
A lucky break? Yeah, you could call it that. Gothenburg was a swift reminder that life is short, and that we’re all here to live it together, no matter what adversity you’re faced with. (Music! The perfect remedy!) Sure, weeks and weeks of shuffling around hotel rooms on my butt with a cast on my leg, trying to pack my suitcase alone before lobby call got pretty fucking stale pretty fucking quick. But, as always, I just put one foot in front of......well, the same one for a while there...
And then everything changed. The energy. The atmosphere. THE THRONE. I was no longer afraid to look at the schedule, I was glued to it. The challenge that we faced from there on out became more of a mission, or a dare, if you will. And it showed. Pat’s smile got even wider (an infallible barometer of all things), Chris’s solos got even faster (thank God someone knows what they’re doing up there), Nate’s stage moves more daring (I once noticed him just to the left of me) and Taylor’s drum set....well....it got pinker. But not without the help of scores of hardworking bad asses that some might call the Foo Fighters road crew (we like refer to them as family, in a very Manson Family kind of way...) They ultimately deserve the lion’s share of credit for keeping this old circus tent erect for the past 6 months. So, let’s all have a nice, warm diet Coke for them tonight. They’re the hardest working motherfuckers in the business. Cheers.
And so we trudged on. Any fatigue was met with an explosion of energy once the curtain went up. Any pain was met with the adrenaline of thousands of voices singing along. Every one of you kept us alive for a while there. One night, at a point where I felt like I was at the end of my rope, it came to me that these few hours we have together every night were something like a heavy blanket to retreat under. I could always rely on our time together to get me to the next stop. Again, and again. From Chicago to Cesena.
That being said....we’ve always been pretty good at knowing when to call it a day. You just....know. You get that feeling that, if you’re not careful, you’ll run out of bread crumbs to find your way home and be lost in the woods forever. It hit me a few months back, crept up on me and tapped me on the shoulder as if to say “Hey...don’t spend it all in one place, asshole.” A sobering reminder that all good things must come to an end. Of course...we could keep going. After all, we’d made it this far, right? What’s another 20 years?
Around that time we arrived in Austin, Texas for the Austin City Limits festival. A massive gig, two weekends and hundreds of acts, it was to be some of our final American performances for this album. There’s a certain bittersweet relief to that. On one hand, you’re carrying these monumental experiences under your wing as you anticipate life outside of a tour bus. On the other hand, you fear that the thrill and joy of sharing music with people all over the world will leave you like an empty shell when it’s gone. It becomes your everything. And that’s terrifying.
The Saint Cecilia Hotel, named after the patroness saint of music, is known as “A lush retreat from the world”. And, believe me, that it is! 14 rooms and a small bar, it’s tucked away in the trees within a bustling, Austin neighborhood. As our van pulled up in the wee hours of September 30th, 2015, I was struck with a rather impulsive idea: to record some songs on our days off to give to the world as a “thank you” for the last 2 years. Though there’s a world class recording studio just on the other side of the fence (Arlyn Studios, look it up.), the hotel manager, Jenny offered that we record in the hotel. A most generous, but unrealistic offer. Though, after rolling it around in my head a few times, it made perfect sense! Returning to the city where the entire Sonic Highways concept was born, loading in one last time to a room that was never designed to be a recording studio a la Sonic Highways, and making some music! Fate? Destiny? I was too tired to figure that kind of shit out, so I hit the sack, woke up the next morning and started making some calls...
By 6 pm the next day, the office was transformed into a control room and the bar was littered with microphones and cables. Amps were in the kitchen. Drums in front of the fireplace. Instant studio, courtesy of the legendary Kevin Szymanski! (Those fancy computer things are pretty convenient! More on that another time....) Margaritas were made, friends came to visit, the sun went down, and before long we started making enough noise to drive the neighbors to start drinking along with us. Riffs and ideas were thrown around, songs that were lost in the shuffle over the years, songs that were left unfinished. Like a musical retrospective, we were going through decades of songs no one has ever heard, pieces left on the cutting room floor from every album. Our own sonic scrapbook. (The Neverending Sigh is 20 years old! Was once called 7 corners for all you die hards out there...) Without the usual pressure or expectation of making an “album”, we sat happy and relaxed as we played. A virtual “This Is Your Life” of the Foo Fighters. It was so good, but again, bittersweet knowing that it was all soon coming to an end.
By midnight, the Preservation Hall Jazz Band had arrived, and the “session” turned into a full on party. Guitars were abandoned for horns and the room started swinging (spinning?). People danced between the cables and microphones, dancing behind the bar, strumming acoustic guitars on the patio. Danny Clinch did what Danny Clinch does, capturing the moments in his beautiful pictures between cocktails. Gary Clark Jr. sat on the patio in the candlelight, jamming along with friends from a couch. As the hours passed, the atmosphere had reached exactly what every recording experience should be: A celebration. “Always record! Always record!” said Jack Black in that infamous Tenacious D episode from years ago. Truer words have never been spoken. Because you just might miss something that you’ll never get back again. Moments that happen once in a lifetime. By the time that weekend was over, we had recorded 5 songs in that tiny room.
Weekend two was spent recording vocals and guitars in my bedroom, room 4. More friends, more margaritas, a fire in the fire pit. The most fabulous Cambria Harkey floated in, slinging her camera to insure that this wasn’t all just a dream. The porch was buzzing with activity as I did vocals in my bathroom, stepping in and out to listen to the previous takes. The coffee table became a pile of guitar pedals and scribbled lyrics, beer bottles and ashtrays. At one point, a familiar face walked in and said, “Dave.....it’s Ben Kweller.....” It had been years! Such a talented young man. We hugged, hit play to listen to the last vocal take, and he instinctively started singing the perfect harmony to my line. Without hesitation, I immediately said, “Get your ass in there and sing it right now.” So he picked up the coffee stained piece of hotel stationary with my lyrics penciled on it and banged out his part in two glorious takes. Always record, ladies and gentlemen. Always record. The night faded, friends and family scattered, and I fell asleep with my still glowing amp at the foot of my bed.
It was heartbreaking to leave that place, to say the least. I honestly feel like we left a piece of our band there as we were being torn away from it. The perfect unity of life, and love, and music is something that only comes around so often and in certain circumstances. When you feel it coming on, you have to take hold of it. That place and those people made it possible for our band to take one, big final breath before the curtain closes. Thankfully, we have evidence of this in these songs that we’re giving to you today. Thank you, Saint Cecilia. You made us feel right at home.
And, the music? Maybe these songs are the breadcrumbs that will help us find our way back when it’s time. We could use a nice wander through the woods right about now. Another empty journal, another tap on the shoulder...those things are never far behind. It’s what lies ahead in those woods that excites me now....
So tonight, as I sit in my Berlin hotel room on our final tour for this album, counting down the days until we return home, I can’t help but wonder when we will see each other again. Who knows? But, with everything Foo Fighter related, it will only be when it feels right. And that’s a feeling that’s easy to feel.
To each and every one of you that made the past few years the best our band has ever had, thank you. You have all given us so much, and we are eternally grateful.
One foot in front of the other....
Visit http://foofighters.com to download or stream Saint Cecilia EP for FREE now.
NOV 13 2015
CLICK HERE TO LISTEN
SOPHOMORE EFFORT TO BE RELEASED ON DECEMBER 4TH
FIRST SINGLE, “ME, MYSELF & I” WITH BEBE REHXA HAS OVER 5 MILLION STREAMS ON SPOTIFY AND OVER 2 MILLION VIEWS ON YOUTUBE
CLICK HERE TO WATCH
TICKETS FOR WHEN IT’S DARK OUT WORLD TOUR AVAILABLE NOW AT WHENITSDARKOUT.NET
WHEN IT’S DARK OUT OFFICIAL TRACK LIST
3. Me, Myself & I with Bebe Rexha
4. One Of Them feat. Big Sean
5. Drifting feat. Chris Brown & Tory Lanez
6. Of All Things feat. Too $hort
7. Order More feat. Starrah
8. Calm Down
9. Don’t Let Me Go feat. GRACE
10. You Got Me
11. What If feat. Gizzle
12. Sad Boy
13. Some Kind Of Drug feat. Marc E. Bassy
14. Think About You feat. Quiñ
15. Everything Will Be Ok feat. Kehlani
16. For This feat. IAMNOBODI
17. Nothing To Me feat. Keyshia Cole & E-40
PRE-ORDER WHEN IT’S DARK OUT
CLICK HERE to pre-order the album on iTunes, CLICK HERE for Google Play and HERE for Amazon
#NowPlaying @SiaThisIsActing's new album #ThisIsActing on @spotify
@asapmob #YamborghiniHigh Get it now on @AppleMusic, @AmazonMusic, #GooglePlay or stream on @Spotify...
Listening to all the amazing new music out today like.. @xtina #FighterFriday
@ZAYN x #PILLOWTALK Available everywhere. #MindOfMine out 3/25. Watch the new video now at www.inZAY...
It’s happening! @ZAYN will perform at @1027KIISFM’s Wango Tango on May 14th! Details at KIISFM.c...
Don’t miss this one. Pre-order @RayLaMontagne’s upcoming album #Ouroboros now on @AmazonMusic to...
Happy Birthday @imcharliewilson!
Dance along with @IAmFoxes new single #WickedLove from her upcoming album #AllINeed (out 2/5) now st...
Get your #NewMusicFriday fix with @BrookeCandy’s new song #HappyDays now playing on @Vevo! Get the...
@SiaThisIsActing dropped her latest album #THISISACTING featuring #Alive, #CheapThrills, & #Reap...